12/19/2023 0 Comments Vox ac10 settingsI will also look at his slide guitar set-up and how he crafted his beautiful slide tones. I will be looking at the gear he used to produce his fiery blues tones with Taste and then as a solo act. Whilst these different styles and instruments feature in Gallagher’s work, here I am going to focus on Rory Gallagher’s electric guitar tones. He played slide guitar, various acoustic guitars, a National Resonator and at times, also a mandolin, as well as a range of other instruments! However he was also a multi-instrumentalist. Unlike some of the other guitarists that I have featured in this series, Gallagher played a range of different styles.įirst and foremost he was an electric blues and rock guitarist. In fact, May took such inspiration from Gallagher that he used the same amp and the same pedal as the Irish bluesman. It was a tone that famously inspired guitarists like Brian May and Slash. Gallagher combined his fiery technique with an equally fiery tone. I still think it is a song that showcases Gallagher’s playing at its best. It has a killer riff, a blistering and frenetic guitar solo, and an abundance of the pinch harmonics that are a signature part of Gallagher’s sound. It remains one of my favourite Rory Gallagher songs. When I first heard that song, I was blown away. It featured a collection of some of the most iconic guitar solos of all time and on it was ‘ What’s Going On‘ by Taste. Everyone hears things differently, but I'm glad I found something that helped.I have wanted to sound like Rory Gallagher since I was 13 years old. I had only just started to play the guitar, when my parents bought me a CD called ‘While My Guitar Gently Weeps’. Sure tubes will help some, and good broken in Celestion Blues will help too, but there's just this magic sound that comes out of his amps and vintage amps that sound soft and spongey IMHO. In conclusion, I don't feel any modding would help these newer AC30's unless you had a tech change filter cap values etc. I was able to boost some mid frequencies to better match Edge's AC30, was able to get some sweeter highs and best of all, this particular effect has a gain function, so you can add some dirt to the boost. Having said that, I've discovered that by using the Mid-Focus eq effect found on my Line6 M13 has gotten me as close to his sound as I've ever been. I cannot turn up the volume as much as he does therefore my tone settings will be somewhat compromised. His AC30 has this midrange thing going on that isn't found in my modern AC30 no matter where I set the knobs. Honestly, I've been listening to a lot of clips, including Edge's clip and I've come to a general conclusion. It's a headache to say the least to find it right for you. I'm not entirely sure how your model works between Normal and Top Boost / Brilliant volumes but it's going to be hard for others to give you a secret dial angle or anything. I find the Brilliant channel volume usually is 130% of the Normal channel volume and they mix nicely that way as a start. Get amp to respond with minimal effects first and then build from there. Maybe I'm weird but it's what has worked for me. Once I've got it solid on the Explorer with no effects to crunch slightly on those early songs I can usually work the effects chain to incorporate the various guitars. It's not a science by any means but I have 2 AC30s and have played through a few others and that's the only way that works since each amp responds differently. I plug in my Explorer, set up a base effects chain I am going to work from, play Out Of Control and I Will Follow, and then dial in the tone cut first so I get a shimmery tone to it, and then work from the above settings on Brilliant and Normal channels until I can find that just on the edge of breakup tone and then tweak the tone cut and everything else.
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